amazing r&b song

[title] amazing

so, i just saw the amazing spider-man 2,and like its title, it really was amazing... ..ly shitty. so shitty, in fact, that it was hilarious,and i can't wait to see it again. i never once thought that it would be possible for a film tobe farted into existence, but today, i was proven wrong. now, i didn't think the amazing spider-man1 was as bad as everybody was saying it was: the majority of it didn't seem like it was trying to betaken too seriously, and it had a good sense of humor. and as someone who's a fan of the spider-mancharacter, i thought it was right about fucking time that they started using perspective shotsto show him swinging around the city. not only that, but i was more than okay with andrew garfieldbeing peter parker, and i thought he fit the character very well.

sure, yeah, there was stupid shitlike 'property of peter parker', but it generally seemed as though there was adecent amount of effort being put into the film. after letting the first movie sit for a while, i'd probably give it asix out of ten, but i definitely enjoyed myself while watching it. i mean, come on, as soon as i figured out that he'dbe wrestling around with a muscly lizard dude, i thought, "i could get behind that. literally!" the spider-man films have had quite thevariation of quality over the years, but i can't think of a single one thati didn't at least enjoy watching. and boy, is that ever reaffirmed with this movie, because it was sofucking bad, that it turned into an unintentional parody of itself. like, someone could release this exact same movie, and callit a spider-man spoof, and it would actually fucking work.

now, for movies i enjoy, i generally tryto keep my reviews to be spoiler-free, but not only is a pretty much impossible to explain what'swrong with this movie without just explaining the whole plot, but i pretty much guarantee you that your moviewatching experience will be much better if you're thinking about these things during it. because, boy,does this ever make one fucking hilarious unintentional comedy. at the beginning at the film, you see two dudes duking it outin a plane, and somebody shoots a window, and it's like, "oh, no. the air pressure. i'm getting sucked out." so the one guy fucking grabs onto the other, but the expellingforce is so strong that he gets sucked out, anyway, with the remaining man now holding hislaptop with one hand and typing on it. yeah, don't worry, the laptop'snot gonna fly out on the plane.

it's important to the plot. this needs tohappen. you need to upload your thing. plus, if he lost his laptop, the audiencewouldn't be able to see that it's a sony vaio. this is just the beginning of the film that is essentiallyone giant advertisement for sony products. we see at least three different laptopsin the film and they're all sony vaios. we see at least three different phones in thefilm and they're all sony ericsson xperias. every time you see a sony product inthe film, it's like a fucking punchline. so, paul giamatti hijacks a truck filled withplutonium, and so spider-man saves the day. and at the end of that, we get introducedto max, played by jamie foxx. each scene, and especially the story scenes, make itextremely apparent that nobody really wants to be there.

yep. this is the obligatory sequel. nobody really wantsto do it, but we're gonna do it. let's get some money! so, then we get a cheesy montage of spider-mansaving the day in various scenarios. nothing wrong with a little bit of cheese, especially in a spider-man film, but one of those scenarios was really, really stupid. like, he goes into a convenience store as peter parker, pickingup some cold medication, then sees a crime happening, and then, changes into his spider-man costume, andsaves the day, and buys the same cold medication. nobody's gonna fucking touch on thefact, that he's clearly on security cameras, assuming that that place, which is a gas station, hassecurity cameras, which they're kinda fucking supposed to. all you needed to do to fix that, was show five extraseconds of spider-man stealing or destroying that footage, but they really wanted to show spider-manstumble out of the building being, like,

"oh, no. i'm so sick." and this is so funny, because you're supposedto laugh, because he's sick. aww, don't you bad for him? at several points throughout the film, he cheesily hallucinatesseeing gwen stacy's father; and it's funny every single time. so then, we get to max's apartment, and wesee that he's very obsessed with spider-man. he's clearly deranged, and wants to be his best friend. and when i saw the trailer, andhow stupid electro's design looks, i thought that jamie foxx's character would be the worst part inthis movie for me, and although i can't really say he did a great job, jamie foxx came across to me as the only fuckingperson in the entire movie that even gave a shit. when he's acting in the film, youcan tell that he's at least trying, but watching literally any other character in the film gives me theimpression that they all knew it was going to be a giant piece of shit.

the entire time i watched this movie, i felt like i waswatching a crew full of people that just wanted to go home. so max gets told to stay at work later, cuz there'ssomething with the power grid that he needs to fix, and, oh no, he has a workplace accidentthat set things up for his superpowers later. he gets electrocuted by a cable, and then fallsinto an inexplicably placed tub of electric eels. i dunno. it's there for science, or something. and as he's getting electrocuted inside the container of eels, it showsa close-up shot of the gap in his front teeth closing and fixing itself, and that was fucking hilarious. like, ok,you wanna do the whole clichã©d, like, "oh, it's fixing his wounds" sorta thing, eventhough it looks like he is dying. uhh! but why the fuck want to close the gap betweenhis teeth, and what's the point of that?

meanwhile, peter parker and gwen stacy have acompletely fucking unbearable romance sub-plot. [clip] she's gotten some information that she gets to be accepted toan oxford scholars program, so she's thinking about leaving. i have to go to england, peter. it's important to me. it's very complicated for gwen and for him.you cannot always happens what you want. - i'm moving to england- wha? i'm up for a scholarship to oxford. [yms] "i hate you, but now i love you again,but now i hate you, but now i love you. now i hate you. but i have to go toengland. but i hate you, but i love you." i kid you not, there was a scene where gwen stacysaid, "i break up with you, peter. i break up with you."

not like, "i'm breaking up with you." or somethingthat a normal human being would say, and instead leaving, or going home, or something, shejust walks into a chinese restaurant, and sits down. like, i don't know she was expectinghim to come inside, or leave, or what. [clip] we were just...going different way... i don't... gotta go. god, their horribly written romantic dialoguemade me feel like i was watching birdemic again. "ha ha! you're laugh isn't annoying yet,you should have a more annoying laugh." "like this? hee hee hee! i'm gonna make an uglyface and have an intentionally annoying laugh" and this is how people communicate with each other. the stupid fucking obligatory love interest character bullshittakes up so much of the movie, that after a certain point,

every time i see her on-screen, ijust wanna punch her in her face. but only assuming she has a sex change operationin the time it takes for my fist to connect. because making jokes that includeviolence against women is wrong. so, we see max's body on a gurney, in a crematorium, not actually in the fire, yet, just in the middle of the open,just, i d... as though somebody left the room, or something? for whatever reason, he's got a thick crust covering his skin,cuz that's what happens when you get electrocuted? he breaks through the crust andleaves the building, wearing a hoodie. i guess if he started walking around naked,he'd look too much like doctor manhattan. so, he slowly walks down the street, being compelled by, wha,i dunno, unintentionally setting off car alarms as he's walking.

just because electricity... so he gets to times square, and for whatever reason, all the people that are clearly using cell phonesin front of him don't have that affected as well. like, what exactly could he be emitting that setting offcar alarms, but not affecting people's phones at all? maybe they'd written it into the script, andsony was like, "nah, our phones are the best." so, he pulls up a grate, and decides to stick hishand into some electricity, like fucking crank 2. it's implied that this is what guided himhere, but it doesn't really explain why. like, was he running low on juice? is he like a battery? [clip] when electro wakes, he's thirsty for power, andcourse, he wants to go to the most electric part of the city,

so that takes him to times square. [yms] the most electrical part of the city is times square? not that massive fucking power plant with all those electrical transformers near the end of the film? i think we really means to say is that, "he went to timessquare, because this is where we can sell the most ad space." so people start freaking out and he's like, "i'm sorry" except he doesn't know his own powers andstrength, so he accidentally destroys a buncha shit. like, i think he accidentally flipped over a car or something. so in the midst of the implied chaos, we get thestereotypical shot of people running around, except the directing is so fucking bad, that you can literallyimagine point a and point b of where he told them to run.

zero effort was made to make it looknatural, and even the least bit chaotic. you can almost imagine marc webb saying, "ok, you ten people,stand over here, and then just run to that point right there. ok, g... no, ju.. no, just go already, i needto go home. i don't want to be here. ok, good. we got the shot. nah,nah, it looks fine, we're good." and spider-man just happens to observe this fromabout a mile away, so he decides to come help. and as soon as spider-man shows up, he knows fuckingeverything about this guy and his powers, for no reason. he's like, "whoa, buddy. watch where you step, if you step onthat grate, you might accidentally electrocute people over there." yep, makes sense to me! i mean, he doeshave computer-generated blue all over him. that's what electricity looks like, right?

now, max fucking loves spider-man, but in about30 seconds, his mind will be changed completely. the script needs him to hate spider-man, so that there's a villain,but clearly nobody there gives enough a shit to bother developing it. [clip] you don't remember me? course i remember you, you're my eyesand ears. uh, what's your name again? uh, dude, i know it, i know it, don't tell me. - [electro] it's max- is it max? yes. - how could you forget me? you lied to me.- no, i'm trying to help you. let me help you. [yms] it's like they replaced the scriptwith the wikipedia plot summary:

"max becomes angry and confused, makingthem no longer friends anymore." aw, man. this is intense. fucking time slowingdown, and stopping, man, cuz of his spidey sense. except everybody looks likethey're in a fucking computer. ♪ jizzed in my pants ♪ aw, man. that was a close call, he just barelysaved those people from being electrocuted. it's a good thing electricity is being visuallyrepresented by tiny blue lightning bolts, otherwise he might not have been ableto interpret that as audience members. now out of all the villains they possibly could have chosen,why the fuck did they make this movie about electro? well, if the villain's made out of electricity, then that gives an excusefor the soundtrack during his scenes to be pretend dubstep.

that's what kids are into these days, right? ♪ (pretend dubstep) ♪ yeah! our superhero movie canbe cool and hip with the youth. honestly, this is one other cringiest soundtracksto a movie i've heard in my entire life. no, let's not get anybody familiar with thegenre, let's just throw in pharrell williams. [clip] hi, i'm pharrell williams, and i wasgiven the luckiest, luckiest job in the world, which was to work with this guy, hanszimmer, composer extraordinaire. dude, if you could only imagine what hansand i got to do musically, i'm telling you. riveting? that's an understatement. and it'snot because i had anything to do with it,

but it's just because we had suchmotivation from what's in the actual film. this film is gonna grab you by the edge of your seat, it's gonna bevery tough to get up, so use the bathroom before you sit down. spider-man 2: hold on to your seat. this band i put together with johnny marr and pharrell.you know, i didn't pick them because they're famous, i picked them because they're really good,and because they're really famous. i picked them because they're reallyfamous, and because they're really good. part of the reason i picked all thesepeople, is because they're really famous. this band i put together with johnny marr and pharrell, i didn't pick them because they're really good,i picked them because they're famous.

somehow, one of them thought it would be a really fucking goodidea to throw in some obnoxiously distracting rhythmical whispering. [these words being whispered] fragility[these words being whispered] like, this shit is all happening during the movie. ♪ (song we just heard) ♪ - you're so selfish- stay with me, max. - you set me up.- no, i didn't set you up. - you lied to me.- no, i'm trying to help you. let me help you. [music gets louder]

[yms imitating song] there's this spider-man,spider, spider-man, spider, paranoia, spider-man. so they have a really tame fight scene, and it ends withspider-man spraying him down with a fucking fire hose. ok, so the defining feature of this villain is that he can harnessthe power of electricity, and you just beat him with water? and not only that, but the way he beatshim, he just literally knocks him over. like, the guy's still conscious and breathingand saying shit under his breath, like, "i hate spider-man, gar!" but spider-man just fucks off over to gwenstacy and has a conversation with her. like, job well done. looks like the copscan just apprehend him from here. it's not like he's a super villain made of fucking electricity that we'vebeen given no reason to assume is not able to still use his powers.

no, fuck it. that's not important. let's cut to thenext scene. come on guys, we gotta finish this up. so, at some point, this stupid fucking dramastarts with harry osborn and his father. his father's on his deathbed and he's like,"hey, you know what? there's this... actually, there's a genetic disease that runs in our family, thatstarted affecting me at the exact age you are. how convenient." and so despite this guy being in his sixties and harry being in histwenties, harry starts to deteriorate over the next fucking week. like, was the disease part placebo effect, or something? it's almost like he wouldn't be dyingfrom it, if you didn't say anything. so, harry decides he needs spider-man'sblood, so that he can be self regenerating. so they add in another stupid fucking sub-plot ofpeter parker just hanging out with harry osborn.

here in this movie, even the characters'relationships are obligatory. like, there's no real fucking reason why peterparker even tries to hang out with him. it's just like, "oh, these guys have gotta hang out with eachother, cuz otherwise the plot device wouldn't work." so, eventually harry tells him "i need the spider-man blood" and peter's like, "i don't know if that's a really good idea,cuz we don't really know what the blood will do to you." but why the fuck is he telling peter this anyway? like,harry doesn't even know that peter parker is spider-man. literally, the only reason he expects peterparker to be able to do anything about it, is because they saw a picture that he took of spider-man inthe newspaper, with the picture being from like a mile away. like, a) how did you get that shot?

and b) how the fuck would that make harry thinkthat you have some sort of relationship with him? like, obviously, it would make sense if we were still in thesam raimi trilogy, but that didn't really get developed here. like, the only mention of his photography at all is near thebeginning of the film, where he sends an email to jameson. and jameson is never shown. i guess they know better than to try and top j.k. simmons,but even if they weren't gonna try and replace his character, if you're gonna throw in his photography to affect the plot likethat, then you think you should have just developed it a little? you know, like a photograph? the only scenes we get of peter parker,outside of being spider-man, are these repetitive, contrived, bullshitty conversations withany one of these three side characters throughout the film.

we get some annoying-assrelationship bullshit with gwen stacy, we get some forced 'hey, let's pretend like we'refriends, so this plot device works' with harry osborn, and a third is with aunt may, so that you canfeel sad for peter parker's lack of parents. what i noticed about the scenes with aunt may,is that the dialogue is written in such a way that it could be a very good excuse for an actorto show an emotionally powerful performance, but unfortunately, nobody on set gave ashit, and everybody wanted to go home. like, the dialogue is there, and you could makea good scene out of it, if you really fucking tried. i mean, for christ's sake, she's talking aboutbeing unable to cope with uncle ben's death, she should be choking through shakywords, not zoned out and bored.

"nah, guys. don't worry about it,let's do the bare minimum." just talk like you're reading your grocery list,and tear up your eyes a little. that'll be fine." so, somewhere in her drony conversation, shetalks about how his dad used to ride some train? so, later in the film, when peter parker's pissed off aboutgwen stacy, and throws his calculator for no fucking reason, a bunch of secretly hidden traintokens fall out of it, and he's like, "oh! i gotta go check it out, cuz it'llreveal something about my dad." and, oh my god! when peter parker's putting all this shittogether, the music is the worst fucking choice, ever. ♪ (gone, gone, gone - phillip phillips) ♪ "why should the song accurately reflectthe tone of what's being shown,

when we can just use it as adspace for a song we want to sell?" so, somehow, electro's now apprehended in high-levelsecurity facility, where he's being contained in water. some randy scientist dude pulls him out of the waterwith the machine he's connected to, and electro's like, "why do you think you can contain me here?this entire facility is run on electricity." and the guy's, like, "so it is." so electro tries to zaphim, and just manages to break a frame on his glasses? but they're not going to explain why he can'tcontrol all of the electrical equipment here, at all. "yeah, we could explain it, but i wanna go home." so meanwhile, spider-man pays harry a visit, and is like, "yo, i know it really doesn't make any sense why you wouldassume that peter parker knows me, but let's just say he does.

i just came here to your house to tell you that, yeah, it's probablynot a good idea that i give you my blood. i'm sorry. goodbye!" like, if that's what you were gonna do, you think youshould have just not even showed up anyway? "nope, we gotta create another villain,guys. this guy's gotta hate spider-man." so later, harry's got this fucking ipod shuffle sizedcomputer thing, that his dad gave him on his deathbed, he just, like, had it in his hand, the whole time. so, he controls it by using touchscreen gestures on the glass table,looking through files and videos, and resizing them with his fingers, and there's a point where you can see that thearea where he continued to resize the video to, is not being accurately reflected by the hologram, at all. like, nobody even gave a shit, and fuck,is this guy's performance ever terrible.

he didn't do that bad of a job in chronicle, andi thought he fit his character very well in that, but somehow, he was particularlyterrible in this terrible movie. maybe he just wanted to go home. so somehow, someone at oscorp frames himfor covering up max's workplace accident, so they're, like, kicking him out of the company,somehow, cuz that, that's how it works, i guess? so, i guess it's all really convenient that they're kickinghim out to the company, and revoking his access now, because there was only ten fucking secondsearlier that his assistant came in and said, "oh, we actually have some of that spider venom thatyou need, so you don't actually need spider-man's blood" even more convenient that he literally justwatched a video feed of electro going, like,

"ah, i hate spider-man. i wanna livein a world without spider-man." so, this fucking skinny dying 20-year-old goes to the maximumsecurity facility, and beats up and tases two security officers. so, harry goes up to electro and is like, "you hate spider-man, right? well, i also hatespider-man now. let's both hate spider-man. and also, you can help me get access to this placewhere i can get this venom, so that i don't die." so he frees electro, and then electrokills everybody in the room, except harry, and at this point we can see that electro doesn'treally need to take physical form any more. like, he just disintegrates into electricalequipment, and then comes back. and thanks to them putting so much emphasis on histeeth earlier, it's making me wonder why he still has them.

like, are your teeth turning intoelectricity, and then regenerating? so peter parker goes to thisabandoned fucking subway station, he puts in one of the tokens, and then a fucking train justappears out of fucking ground from underneath the tracks. like, somehow that got built, and it remained a secret. so, he goes inside this train, whichis apparently his dad's secret lab, at which point, he conveniently discovers avideo of him talking about the spider venom. he talks about how he used his own blood for theprojects, and then says that it'll only work for his blood. and then directly after saying that, he clarifies by saying "mybloodline". like, just in case you're really that fucking stupid. so, electro starts to inexplicably spawn afull body suit every time he regenerates.

can't have nudity, this is pg13. so he helps harry break into the placewhere he can get that spider venom shit, then electro fucks off, while harry hold a gun to somedude's head, telling him to inject him with that shit. and so, the guy injects harry on the exact same arm thathe is holding the gun that's pointed at him, with. like, i get it, that arm is closer to you already, but you don't thinkthat you should inject the one that's not holding the gun at you? well, apparently, it didn't matter, cuz he injects him, and then he just starts fucking spazzing outon the floor with some horribly edited bullshit. like, all they did was flash some lights, andget this skinny guy to contort his shoulders. and then, for absolutely no fucking reason, he juststarts crawling towards the green goblin suit.

there were several suits in the room; is it possible that if he just started crawling towards the doc ocksuit, that he would be that instead, and not the green goblin? there is no reason or logic to any of this. also, his teeth got really, really fucked up, somehow. so we get back to peter and gwen stacy bitchingabout how she has to go to england, cuz she's like, "i am pursuing my dreams, and going to awks-ford." so she goes to an interview at the new york headquarters foroxford. she gets accepted and then goes right in a cab to the airport. so spider-man decides to vandalize public property to appease her,and then picks her up and then stands with her on top of that bridge. apparently for what must be a very long time,because it's night-time by the end of it.

aren't you gonna miss your flight? so electro decides to start terrorizingpeople again, and gwen stacy's like, "hey, if we magnetize your wrist things,they won't fail if he zaps you this time." so they, like, magnetized it, somehow, with a car battery? and gwen stacy's like, "let me come with you,even though this guy can fucking kill me in an instant." and he's like, "no, sorry. i'm gonnasave the day by myself. goodbye." so he goes to fight electro at that massive electrical power plant,and electro keeps warping himself between transformer, and, like, somehow hurting spider-man. it's not really clear wherethe damage is coming from. he's just getting electrocuted, i guess. every time he warps from one transformer to the other,it makes a fucking dubstep sound, like "bwoum!"

and like, apparently, that's the sound that actually happening in thefilm's universe, and not just an exaggerated sound for the audience. because it starts to play the melody to itsybitsy spider, and spider-man acknowledges this. so electro suspends spider-man in electricity, and his suit startsto darken, implying that he is, like, being cooked, or something, and i kid you not, gwen stacy shows updriving a police car, and hits electro with it. never mind the fact that she was able to steal a police car,but she also got to the crime scene faster then the police. so, if she's able to hit electro with the police car, we haveto assume that his physical representation isn't just visual. that although he's made of electricity,and can disintegrate into power grids, he can actually be damaged in his physical form, somehow. like there's no real reason why he evenneeds to take a physical form at this point.

so then some really fucking confusingand hard-to-follow shit happens, gwen stacy goes to a thing and turns ona switch, and then it somehow kills electro. like, i think that all the power went out in the city because of him,and, like, she turned it back on, or something, and then he died? there's a little chip indicator on electro's head that says he wasovercharged, and when electro dies, it just fall onto the ground. so, was this physical chip on his head the entire time whenhe was not even in physical form, and literally electricity? like, i'm pretty sure it was givento him by that randy scientist. [distant] it doesn't make any fucking sense. so, after electro dies, harry shows up as the green goblin. like, there was no reason why they couldn'tjust double team to kill spider-man?

he was just biding his time. he startsspouting off on some fucking bullshit, like, "aw, spider-man, you don't actuallyhelp people. i hate you." and at this point, not even spider-manhimself is going to question the logic of that. like, sorry i didn't give you my blood before, and kick-startwhat you have now learned to be a horrible mistake. so he steals gwen stacy, and takes her over topof a clock tower with an easily breakable roof, and then we get the whole clichã© "dropher!", "ok!" and then he drops her. so spider-man catches her, they crashed through theroof of the clock tower, and then land on a steel grate. at which point harry drops down a bomb that completely demolishes the steel grate that they were lying on, and the bomb went off right next to herfucking face, and they're both okay.

"it's a good thing my makeup remains unscathed!" so spidey grabs onto her with his web,and then has to fight the green goblin, who comes down next to himand they start wrestling for a bit. and the web that's holding her is also on a moving gear, so when it gets to the point where it connectswith another gear, it fucking gets cut? like, there are two large solid objects. and i swear to god,i even remember hearing a fucking scissors sound effect. but isn't his web supposed to be super fucking strongand sticky? how the fuck did it get cut like that? so gwen stacy falls in slow motion, and when spidey uses his webto try and save her, the camera zooms in on the tip of his web. and somebody thought it would be a great fucking idea toanimate the strings of his web forming a hand shape, like,

"oh, i'm reaching out my hand to try to save you." he manages a catch her within the very inch of hersmashing her head onto the fuckin concrete below, and i accidentally burst out laughing in the theater. yep, she's dead now. no blood or anything,maybe just a tiny, tiny bit coming out of her nose, but no puddle or fucking anything on the ground. so peter parker goes to her funeral, and then it's five monthslater, and there's news reports of spider-man being absent. everybody's like, "where's spidey, and why has he left us?" but then, paul giamatti gets in therhino suit, and start terrorizing the city. like it's a giant rhino mecha suit. ikinda feel bad for the rhino fans.

he's in a fucking shoot-out with the police, and thenhe decides to open up the head part of his suit, so the audience can tell who's inside. like,he just opens and then closes it again. like, those cops clearly don't play enough video games - you'resupposed to take your shot when the boss exposes its weak point. and then some fucking little kid from earlier inthe movie decides to run out into the gunfire. like, literally, he was just with his momwatching behind a police barricade. that's some fucking grade a parenting, right there. i can understand if you wanna ogle at a spectacle,but there's literally a guy in a fucking mecha suit, shooting police officers and firing missiles, and you decide that you're just gonnafucking hang out and watch with your kid?

so, spider-man shows up in thenick of time to save this kid. did he end his five-month hiatus to take care of rhino?well, that would make a little bit a sense, so no. in the previous scene, it shows him finding ausb drive, with 'gwen's speech' written on it. he plugs it into his sony viao computer, and then gets so inspired,that he decides he's gonna continue being spider-man. and this all just so happened to perfectlycoincide with rhino destroying the city. like, literally, if rhino decided to do this aday earlier, then nobody would've stopped him. so, spider-man does a couple of fucking backflips and winds up for aroundhouse kick or something, and then the movie just fucking ends. i feel really, really bad for rhino fans. like, i get it. you wanted to end the movie on a punch.

but wouldn't doing that be better suited for spider-man fighting some random fucking-ass criminals, that you know are gonna die anyway. didn't you publish photographic images of rhinobefore the trailer for the film was even released? did it not occur to you, that there are people in the audiencethat only came to see this movie, just because rhino is in it? and that ending the film before his fuckingfight scene might piss a few people off? they literally ended the film with the exactsame shot they ended the trailer with. when you end the trailer like that, it impliesthat if you buy a ticket to the movie, you'll be able to see the fight scene that got abruptlyinterrupted by the title in the fucking trailer. "nah, let's just have the rhino fansimagine the fight scene, instead."

so the end credits start, and i'mpatiently waiting for the typical marvel 'oh, look. this connects to something in the next movie' scene, andas expected, about 30 seconds into the credits, a new scene starts. and my first thoughts are, "this doesn'teven look like the same fucking movie." and i kid you fucking not, it was justa clip from the next x-men movie. i was like, what the fuck? jenniferlawrence? mystique? what? sony doesn't even own x-men. theyput such little effort into this movie, that instead of filming something that might relateto the third one that you're probably gonna release, they literally just sold ad space inthe middle of the fucking credits. and that was the only clip there was after the creditsstarted. this entire movie did not even give a shit.

so, as you can tell by how long this video turnedout to be, this movie was a whole new level of shit. if you wanna watch it as a comedy, be myguest, because it was pretty fucking funny, but if you were hoping to take this movie seriouslyat all, i would suggest you avoid it like the plague. i was thoroughly impressed by just how bad this movie is. and i'm giving this one a three out of ten. subtitles by jorwat.